On January 28, 1985, a day after the American Music Awards, stars gathered in Jim Henson studios under the direction Quincy Jones and Lionel Richie to record “We Are The World.” The goal was to raise money and awareness about hunger in Africa. Proceeds were donated to the newly formed charity, at the time, USA for Africa (www.usaforafrica.org). To date, over $63 million dollars have been raised from this original recording co-written by Lionel Richie and Michael Jackson.
Almost precisely 25 years later, dozens of entirely different stars gathered again in Jim Henson studios under the same direction of Quincy Jones and Lionel Richie to re-record “We Are The World.” Proceeds from the version of the recording will go into a yet to be named fund to raise money for victims of the earthquake that ravaged Haiti on January 12, 2010. The song underwent some lyrics tweaking from Will.I.Am who added a little rap to the song as well as Lionel Richie. Janet Jackson, who was not part of the 1985 recording, has been asked to sing her deceased brother Michael Jackson’s parts that he delivered in the original song although she was not present at yesterday’s (February 2, 2010) recording session. The song will debut at the 2010 Winter Olympics on February 12, 2010.
Lil Wayne apparently speculated as to why the earthquake in Haiti was the premise for the song’s revival as opposed to Hurricane Katrina that ravaged the Gulf region back in 2005.
Here’s a news report from Good Day LA…
Here is some footage of the recording day from the Associated Press…
Orson Wells’ rich, brilliant & ultimately doomed character Charles Foster Kane died, alone and unloved, in his California mansion. At the time of his passing he was a deformed, corrupt and far removed from the genius displayed in creating his mass media empire. In the aftermath of Michael Jackson’s I couldn’t help but think of ‘Kane..’ Michael’s Zanadu had been stripped from him a few years back, leaving him wandering from rental to rental home, such as the one he died in in Los Angeles yesterday.
Michael was prepping to try to recapture his once elevated status with 50 sold out shows at London’s massive O2 arena. But that was not to be. In fact I believe that the stress of preparing for that show, after his long performing layoff, played a role in his demise. With the music, videos and event tour that supported ‘Thriller’ Michael re-invented the art of the blockbuster album, creating an international stardom that endures. And, sadly, for the last twenty five years of his life Michael was in a losing battle with himself, trying to match that magical year even as the culture changed, the record industry imploded, and his personal demons ruined his reputation.
At several points in his life Michael revolutionized pop culture. He lead the first black teen group to cross racial lines. With Quincy Jones, he produced a trio of albums (Off the Wall, Thriller, Bad) that reinvented the rules for black artists musically and in terms of international appeal. The videos, grandiose, elaborate and full of wonderful dancing are still the gold standard for the merging of music & image. Along with Eddie Murphy, Bill Cosby, Oprah Winfrey, and so many other media legends, Michael made the ’80s a golden age for black pop culture.
I, like so many of you, grew up with Michael Jackson. With my mother, sister and family friends I attended the Jackson Five’s first Madison Square Garden show. Over the years I attended eight Jacksons/Michael Jackson shows and spend countless hours over the last forty years thinking about and, often writing about that man. In fact a book I did about him, The Michael Jackson Story, in 1984 jump started my career. It was first book and first exposure to the media machine that both celebrated, reported about and, ultimately, ripped him apart.
It’s hilarious how one sided much of the immediate commentary about the man has been. Sinner or saint? More apt is artist and sinner. People want to simplify a truly complex life. We have to be sophisticated enough to acknowledge that greatness and a touch of evil dwelled in the man. I’ve always believed that transcendent art emanates from the purest, most evolved parts of our soul. But that highly spiritual achievement doesn’t absolve us of our daily misdeeds. To simply brand him a smooth criminal, as some have, or to overlook his tragic nature, as have others, is to deny his humanity. The meaning of Michael Jackson’s life — as a black man, a sexual being, a abused and abusing adult — will be interpreted to fit the prejudices of the speaker. His music — it speaks volumes.
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